Switzerland, Italy & Greece
Strauss x UEFA Euro 2024
For this partner campaign, Swixer provided production services across Switzerland, Italy and Greece, including crew, locations, equipment, transport, accommodation, wardrobe and meals.
Zurich offers a varied mix of locations within one production base: offices and hotels, old-town streets, lakefront settings, residential districts and studios. Swixer provides local production support across the city, coordinating producers, crew, equipment, locations, permits, transport and shoot-day logistics.
Some schedules remain entirely within Zurich. Others use the city as the base for nearby lake towns or selected eastern-Switzerland locations. When the route crosses several Swiss regions, we coordinate the Zurich part within a wider production in Switzerland.
Short distances do not automatically create an easy day. A company move can be quick once vehicles, loading and entrances are confirmed, but a sensitive office, busy public square or lakefront setup may need more preparation than the map suggests. We establish who controls each location and what the unit needs before the shooting order is fixed.
Executive interviews and corporate films often depend on quiet access, confidentiality, security, lift capacity, power, holding and a realistic load-in. We handle those conversations with the location so the client, crew and equipment can move without turning a controlled interior into a public operation.
Zurich normally requires a permit when filming on public ground lasts more than one hour including preparation, involves more than five people or uses infrastructure such as lighting, camera track or props. The city asks for applications at least four weeks ahead, so the crew size and equipment plan should be clear before the form is submitted.
Vehicles cannot be treated as an afterthought in a compact centre. Road closures require at least 20 working days’ notice and parking restrictions at least seven working days. We plan the camera footprint, equipment drop, crew transport and next location together rather than assuming every move can be solved from the nearest street.
Lake towns, countryside and other Swiss regions can extend the visual range, but the production base should follow the real route. Travel time, mountain or lake access, crew hours, weather and equipment movement decide whether the unit returns to Zurich or relocates for that part of the schedule.
The practical questions that usually determine access, permits and the working footprint.
Yes. We can source production, camera, lighting, grip, sound, art-department and assistant roles, then match the crew and equipment package to the scale, location access and client requirements.
Usually yes if the work lasts more than one hour including preparation, involves more than five people or uses infrastructure such as lights, track or props. Minimal portable filming with no more than one camera, one tripod and one hand reflector can be exempt when the whole job takes no longer than one hour.
The City of Zurich asks for a complete public-space filming application at least four weeks before the shoot. Changes can trigger a new consultation, so the location, footprint, crew and infrastructure should be settled before submission.
Yes, when the route and crew hours support returning to the city. We compare travel, access, weather, equipment and the best light before deciding whether Zurich remains the base or the unit should relocate.
Two examples of Swixer’s work in Switzerland, covering a multi-market commercial campaign and a cross-border branded production.
Switzerland, Italy & Greece
For this partner campaign, Swixer provided production services across Switzerland, Italy and Greece, including crew, locations, equipment, transport, accommodation, wardrobe and meals.
Geneva, Switzerland & Europe
Swixer supported four European shoots for this campaign, including filming in Geneva. The wider production covered local crew, locations, equipment, logistics and transport across the route.